20 Best MiniMax H3 Image Prompts (With Examples)

A rustic, overhead shot of a farm-to-table feast, showcasing a variety of colorful, seasonal vegetables, artisanal cheeses, and freshly baked bread on a weathered wooden table.

The image is an overhead, top-down photograph of a rustic farm-to-table feast spread across a weathered, dark brown wooden table with visible grain, knots, and a worn finish. In the center, a large woven basket holds a freshly baked rustic loaf of bread with a cracked golden-brown crust and scattered flour, alongside a halved loaf. To the left, a large dark ceramic plate presents an assortment of colorful seasonal vegetables, including bright orange carrots, deep red heirloom tomatoes, purple cabbage, and a mound of vibrant green leafy kale and arugula. On the right side, a wooden board displays artisanal cheeses: a wedge of sharp aged cheddar, a round of creamy brie with a rind, a soft blue cheese, and a few scattered almonds and walnuts. Below the bread in the lower center, a shallow bowl contains roasted root vegetables, including golden potatoes and beets, sprinkled with fresh rosemary sprigs. At the upper right, a glass jar of golden olive oil stands beside a smaller jar of honey with a wooden dipper. In the lower left, a rustic cloth napkin holds a silver knife and fork. At the upper left, a bunch of purple and red grapes rests near a small bowl of black olives. Scattered herbs, including fresh thyme and sprigs of oregano, decorate the table. The lighting is natural and warm, coming from the upper left and casting soft, long shadows to the lower right.

Take the over-ear headphones off the man on the left and fill in his hair where the band flattened it. Have both hosts lean toward each other and fist-bump directly above the "MONEY TALKS" desk sign, knuckles touching, elbows lifted off the desk, so the bump sits dead centre between the two microphones.

The dark, warmly lit podcast studio photograph of two hosts behind a wooden desk in <Picture 1> is mostly preserved: the large "EP. 47" title in the top right corner, the dark textured wall, the wooden shelves with plants, a brass globe, a lit candle, books and the "DISCIPLINE > MOTIVATION" chalkboard, the framed "COMPOUND CONSISTENCY CONFIDENCE" poster, the glowing floor lamp on the left and the table lamp on the right, the two black microphones on their stands, the black "INVEST IN YOURSELF" and "PLAN BUILD WEALTH" mugs, the carved wooden "MONEY TALKS" desk sign, the dark wooden desk, both hosts' faces, smiles and clothing, the man's wristwatch and the woman's hoop earrings all stay exactly the same. Only the headphones and the hosts' poses change. The over-ear headphones and their cable are removed from the man on the left, and his short, tousled dark brown curly hair is filled in naturally over the top and sides of his head where the headband had flattened it, leaving no dent or mark. The two hosts lean toward each other and bump fists directly above the "MONEY TALKS" sign: one fist from each host meets with the knuckles touching, both elbows lifted off the desk, so the fist bump sits exactly at the horizontal centre of the frame, midway between the two microphones.

A naturalistic photograph of a woman potter seated at a pottery wheel in a sunlit workshop, viewed from her left side at approximately hand level. A medium composition includes her profile, shoulders, forearms, hands, and the complete bowl on the wheel, with enough of the wheel and stool visible to make her working posture clear. She leans slightly forward with relaxed shoulders and looks down at the clay. Capture one precise moment as her left hand supports the bowl's outer wall while the fingertips of her right hand shape the inner surface near the rim. Her hands oppose each other gently across the same section of clay; the bowl stays centered on the wheel head. Wet slip coats her fingertips and gathers in fine concentric ridges on the rounded bowl. The rim is smooth, open, and clearly separated from her fingers. Soft sunlight enters from a side window, catching the moisture on the clay and casting gentle shadows beneath her wrists. A worn wooden workbench and quiet shelves recede out of focus, keeping attention on the hands and their contact with the bowl. Warm earth tones, believable skin texture, and subtle workshop wear give the scene a tactile, unposed quality. No lettering or additional people appear.

A clean 16:9 sales dashboard on a warm white background uses a restrained charcoal-and-teal palette, crisp sans-serif typography, and a consistent alignment grid. The title "Quarterly sales" sits at the upper left. Two compact summary cards occupy the top row beneath it: "Total units" with the value "39", and "Best-performing product" with "B — 18 units". These values summarize the supplied three-product dataset. The lower left contains a large vertical bar chart. Its horizontal axis is labeled "Product", with categories "A", "B", and "C" in that order; its vertical axis is labeled "Units" and has evenly spaced ticks at 0, 5, 10, 15, and 20. All bars share the same zero baseline and equal widths. Their heights correspond exactly to 12, 18, and 9, and each value is printed clearly above its bar. Product B is teal; A and C use the same muted gray. At the lower right, a compact table has the column headings "Product" and "Units", followed by the rows "A | 12", "B | 18", and "C | 9". There are no invented dates, forecasts, percentage changes, or additional data series.

The red cup on the left in <Picture 1> is <Subject 1>. The lemon on the right in <Picture 1> is <Subject 2>. The target image shows <Subject 1> with a blue finish. <Subject 1> is partially preserved; its shape, material, position, and scale remain while its surface color changes. <Subject 2> is fully preserved. The blue finish follows the existing surface shading and highlights of <Subject 1>, with the rest of the source image unchanged.

The front-facing beige coat in <Picture 1> is <Subject 1>. The body color of the vase in <Picture 2> is <Subject 2>. The target image is a portrait fashion poster featuring <Subject 1> beneath a short headline. <Subject 1> is partially preserved; its cut, fabric texture, folds, and front-facing presentation remain while its color, scale, and placement change. <Subject 2> supplies the exact body color transferred to <Subject 1>. The transferred color follows the existing garment shading without importing the vase's glaze or shape. <Subject 1> is centered in the lower two-thirds of the poster, with its full hem and sleeves visible. A new warm off-white background extends evenly to the edges, leaving generous space around the garment. The headline 'A quieter kind of bold.' appears above it in large charcoal serif lettering, arranged on two centered lines: 'A quieter kind' followed by 'of bold.' The composition contains no other lettering, brand names, or decorative props.

An orange tabby cat sleeping on a sunlit windowsill.

An orange cat lying on a windowsill basking in the sun, warm afternoon light, film texture

A wide hero illustration for a project management app's landing page. An isometric 3D diorama of a small open-plan office built on a single square floor slab, floating on a plain pale lavender background and seen from the front-right corner. The slab sits in the right half of the frame, and the left half is empty pale lavender with nothing in it, kept clear for a headline. On the slab, six white desks stand in two rows of three, each with one open laptop and one coral desk chair. Four people work at the desks, and the two desks on the left of the back row are empty, their chairs pushed in. A tall potted monstera stands in the back-left corner of the slab, a low white bookshelf runs along the back-right edge, and a round mustard rug lies under the front row. Smooth matte clay materials in white, lavender, coral and mustard, soft light from the upper left, gentle ambient occlusion where the desks meet the floor. Clean 3D product illustration, no text, no logos.

A vertical 9:16 story image for a fitness app's morning mobility series. A woman in her thirties with long braided hair, wearing a sage green sports top and black leggings, stands in tree pose on a cork yoga mat, facing the camera, her palms pressed together at her chest and her right foot resting against her left inner thigh. Her whole figure, from her head to her feet, fits in the lower two thirds of the frame, with the mat under her feet. The same plain white studio wall continues up through the upper third of the frame, with nothing on it, kept clear for a title card. Pale oak floor, soft morning light from a tall window out of frame on the left, a soft shadow falling to the right. Natural skin texture, true-to-life color, clean fitness editorial photography, no text, no logos.

A wide link preview image for a vacation rental listing, the card shown when the listing is shared. A modern timber cabin with a full-height glass front and a cedar deck stands at the edge of a pine forest on the right third of the frame, seen at eye level from across a calm lake. Warm interior light glows through the glass. The left half of the frame is still water and pale evening sky with nothing in it, kept clear for the listing title. Blue-hour light, a faint reflection of the cabin on the water, soft mist over the far shore. Photoreal architectural photography, no text, no people.

Wide landscape-format environment concept art for an open-world adventure game. A fishing village of stilted wooden houses climbs a steep green cliff above a turquoise bay, linked by rope bridges and narrow stairways. Three small sailboats are moored at a long wooden pier in the foreground on the left, and a stone watchtower stands on the headland on the right. Seen from the water at a low angle, with the village filling the center of the frame. Late afternoon sun from the right, warm light on the house walls, cool blue shadows in the cliff crevices, sea spray around the rocks below. Painterly game concept art with crisp detail in the foreground and soft atmospheric haze in the distance, no text, no characters.

A square product tile for an online running store's new arrivals page. Three running shoes stand in a single row on a floating pale concrete shelf, evenly spaced, shown in side profile with every toe pointing left, from left to right in coral, slate blue and off-white. The camera is at shelf height, looking straight on. The row sits in the lower half of the frame, and the upper half is a plain warm gray wall with nothing on it. Each shoe has an engineered knit upper with a visible weave, a thick foam midsole with a matte finish and a rubber outsole with a fine tread. Soft diffused light from above and slightly left, a narrow highlight along each midsole, short soft contact shadows on the shelf. Photoreal e-commerce product photography, no text, no logos.

A team photo for a design studio's About page. Five colleagues stand in a single row in front of a white-painted brick wall, evenly spaced, full length, all facing the camera. From left to right: a tall man in his fifties with a short gray beard, in a navy blazer over a white shirt; a woman in her twenties with a curly red bob, in a mustard sweater, holding a closed laptop against her chest; a man in his thirties in a denim jacket over a white T-shirt, standing in the middle with his arms crossed; a woman in her forties with straight black hair, in a green linen shirt dress, resting one hand on the shoulder of the man in the middle; a young man in a gray hoodie and round glasses, holding a tablet at his side. Shot at eye level with a 35mm lens, the row centered, with an even strip of wall above their heads and pale wooden floor below their feet. Soft even light from a large window on the left, natural skin texture, true-to-life color, editorial team portrait photography, no text, no logos.

A candid photograph of a fishmonger in his fifties with a salt-and-pepper beard and a navy rubber apron, laughing as he weighs a silver sea bass on a brass scale. Crushed ice and small handwritten price tags fill the counter in front of him. Cold morning light falls from a market skylight above. Shot on a 50mm lens, natural skin texture, slight motion in his hands.

A photograph of an architect's desk seen from directly above. A large blueprint is unrolled across the center, held flat by a brass compass on its top left corner and a white coffee cup on its bottom right corner. A wooden scale ruler lies diagonally across the middle. To the left of the blueprint sits a closed black notebook with a red elastic band. To the right, three sharpened pencils lie side by side: one yellow, one blue, one green, in that order from top to bottom. Soft daylight from the left, pale oak desk surface.

A risograph-printed poster for an independent bookshop in teal and coral ink on off-white paper. At the top, large bold sans-serif letters read "THE LANTERN ROOM". Under it, smaller text reads "Used Books, Maps and Records". In the center, a flat illustration of a tall bookshelf with a glowing paper lantern hanging in front of it and a sleeping cat on the lowest shelf. At the bottom, one line reads "Open late every Friday, 14 Harbor Lane". Visible grain and slight misregistration between the two inks. No other text.

Overhead flat-lay photograph of an open printed two-page café menu on a white marble counter. Header across the top of both pages: "HALF MOON CAFÉ". Left page heading "MORNING", then one item per line with prices: "Oat flat white 4.50", "Cardamom bun 3.80", "Shakshuka 12.00", "Granola & yogurt 8.50". Right page heading "AFTERNOON": "Iced hojicha 5.00", "Tomato toast 9.00", "Lentil soup 10.50", "Olive oil cake 4.80". Cream paper, dark green serif headings, clean sans-serif items, a ceramic cup of coffee in the lower right corner, soft daylight.